A FRANK MOVIE REVIEW: “EMMA” – 5/10

Movie:         “Emma”

Rating:         5 out of 10.

In a word:   Boring

 

     Be prepared for one more adaptation of the 1815 Jane Austen novel, first filmed in 1996 starring Gwyneth Paltrow. This movie, starring Anya Taylor-Joy follows the same basic characters within like-settings, mainly the breathtaking countryside of inner England dotted with landscapes and mansions much like any other period-based film about old England, to include a smattering of snobbery.

     If you like that genre, though unoriginal, you’ll like this movie. For sure, the photography is inspiring and the costumes awesome. The cast of actors played their roles well, including Miss Taylor-Joy’s lead.

     If there is criticism earned, it must be attributed to the director, Autumn De Wilde who gave us one scene after another of Emma’s gazing eyes and close-up expressions ad nauseam, slowing the film to a point of sheer boredom.

     The plot is simple: Emma Woodhouse is a young, beautiful, and vain woman who lives in a large mansion on the Hartford estate of her elderly father in the village of Highbury. She has no wish to marry, but enjoys pairing her family and friends. The film mostly follows Emma and her friend Harriet as they experience friendships,

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My Interview 2015.

 

Five years ago, I was recruited by a local videographer to participate in one of her programs where she delved into the lives of her subjects via one-on -one interviews.  Here is that 16-minute video…which may be of no interest to anyone, but seeing as I stumbled on it during a research mission, I thought I’d pass it on. 

The first section covers some of my early life being guided by a bona fide gangster and his wife, (my mother) with the last half being more about working as a cop in Miami, more specifically, in Homicide. Some folks might find it of interest.

Here’s the video: 
Marshall Frank, 75, Talks About Becoming a Detective in Miami, FL – YouTube

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A FRANK MOVIE REVIEW – "1917" – 10.0

“1917”  –  Rating:   10.0
     In a word:  Intense
 
Alex Heeney is a movie critic who writes for Seventh Row. In regards to “1917”, he opines: 
    1917 is breathtaking in every way. A chamber drama tucked inside an exquisitely rendered war epic, 1917 is more heart-stopping thriller than traditional war movie.
     Before writing this review, I accessed a number of other professional critics to see if there was a consensus, because I had agreed totally with Mr. Heeney. The great majority of critics I found shared similar feelings about this picture.
     I think this will go down as one of the top ten war movies of all time, on a level with “Saving Private Ryan,” “Midway” and “Schindler’s List.”
     The basic premise of the story is as simple as it is complicated. During the final stages of WWI when Great Britain was in a critical position in the French countryside fighting the Germans, Lance Corporal Blake and Lance Corporal Schofield, young soldiers each, are selected by the field commander to embark on a harrowing foot mission to deliver a critical message to another American brigade commander thought to be trenched in miles away. The dire message, which could only be

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STATISTICS, ENFORCEMENT AND THE RACIAL DIVIDE

Black Live Matter is a group that carries a lot of clout in the political-racial landscape in America. That’s obvious. What’s not obvious are the statistical facts about alleged racism in law enforcement and justice which shows that all people of all ethnic and racial bases can, and often are, holding prejudices. Of course, Black Lives do Matter, but that’s not to the exclusion of white, browns, Latinos, Asians, females, males, midgets and giants. We ALL matter.
     Too often we hear about terrible disparities in crime statistics and the justice systems in general, particularly as it pertains to race. Based on sheer numbers, it appears that these systems, comprising police, courts and prisons, are prejudiced against black people, invoking accusations of systemic racism at its worst. For the most part, it’s simply not true. Key word: “systemic.”
     Yes, statistics are grossly disproportionate. But there’s a reason. FBI and the Bureau of Justice reveal that over a period of 28 years, 1980 to 2008, over 52 percent of murders were committed by blacks, while 45 percent were by whites. Yet blacks comprise only 12.7 of the population, and black males only 6.3 percent. Thus, citing the sheer numbers of whites versus

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A FRANK MOVIE REVIEW: "UNCUT GEMS" – 1.0

 
“Uncut Gems” – 1 out of 10.
 
In a word:  Frenetic
     If you like good movies don’t bother seeing “Uncut Gems.” It’s the greatest waste of viewer dollars I’ve seen in a long time.
     The premise of the plot:  A crime thriller about Howard Ratner (Adam Sandler), a New York City jeweler always on the lookout for the next big score. When he makes a series of high-stakes bets that could lead to the windfall of a lifetime, Howard must perform a high-risk and dangerous act, balancing business, family, and adversaries on all sides in his pursuit of the ultimate victory.
     The movie had way too many implausible scenes. For  example, the bad guys kidnap Ratner, drive him around then bring him to where his own car is parked. There, the bad guys strip him nude and deposit him into the trunk. Minutes later, in the darkness of the trunk, Ratner is using his cell phone to call his wife, who, in fact, comes to help him out.
     Cell phone in the darkness of an auto trunk? Naked?
     If you like the sounds and optics of New York City, viewers will get plenty of that. People who are

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HOW TO REFORM LAW ENFORCEMENT – OP-ED – M. FRANK

(This article appears in news OpEd, Florida Today, this date.)
 

After serving 30 years in Miami-Dade County law enforcement — plus managing a major national security company for four more — I’ve seen my share of problems concerning life, death, crime, security and justice. There is so much to overhaul and streamline, it would exceed the limits for newsprint so I’ll narrow my views to a sampling of ideas.

If I had the magic wand, I would…

  • Do away with electing sheriffs in counties by appointing chiefs/directors much like what’s done in municipalities. It has worked effectively in Miami-Dade County since 1966. Such a system diminishes politics and does away with good-old-boys, or its perception.
  • Renovate the system of small city/town departments by merging local governments for efficiency. This would be more effective with the focus on services, training, and coordinating criminal matters. The four municipalities along 15 miles of Highway A1A is patrolled by four small departments under four police chiefs and its mini-bureaucracies. That could be reduced to one.
  • Reduce jail and prison populations by invoking the European model, which hands out far shorter or lesser sentences while converting savings into funds for training and education.
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A FRANK MOVIE REVIEW: "RICHARD JEWELL" – 7.5

“RICHARD JEWELL” – 7.5
In a word:  Awakening
     This is a Clint Eastwood film, who at the age of 89, is one of the great wonders of the world, delving into the depths of the actual story then making it come alive in film. This was a good movie, but not one of his best. That’s saying a lot, because most of his films have been first class.
     Fans going to see this film must first know that it is intended to be a docudrama, based on a true story that focuses around an overweight frumpy security guard who was a police-wannabe, working for a company which assigned him a guard role at the 1996 Olympics in Atanta where – amid the throes of thousands of citizens – he (Jewell) discovers a suspicious backpack under a bench in Centennial Park. His frenetic actions warning everyone in the area, caught the attention of police and other security personnel, though his allegations about a package with a bomb inside was doubted by many. Shortly after he began screaming at people to get back, “Get Back,” sure enough a bomb exploded. Two died, scores were injured. There would have been more victims if

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